
Q TIp & Jarobi live at Drom for last year's Dilla Tribute...
Award Tour by danabartle
| In the Works: Eerie "Inn," Crude Story, Quiet Hunt, Immigrant Mess, Microloan Impact & Raise It Up For Ma Dukes
Director Ti West in front of the The Yankee Pedlar Inn where he's currently filming "The Innkeepers." Image courtesy of Dark Sky Films. This week in our production column, ‘In the Works’, indieWIRE checks in with Ti West – the maker of recent horror smash “The House of the Devil” – about his new project, “The Innkeepers,” then takes a look at a number of documentaries with crowdfunding campaigns on Kickstarter. EDITORS NOTE: “In the Works” is a weekly column taking a look at upcoming films, in addition to projects in production. It spotlights films in development, as well completed films that are taking creative paths towards distribution and occasionally ventures away from films to look at other types of projects, such as interesting new film distribution, funding, or exhibition mechanisms.
Director Ti West unexpectedly found the story for his newest film in the hotel he stayed in while shooting his previous film, “The House of the Devil.” He’s returning to the Connecticut inn for “The Innkeepers,” inspired by unexplainable occurences during their stay. “We stayed here during ‘House of the Devil’ and all this crazy shit happened,” West told iW. “So, it’s allegedly haunted. It’s weird stuff and I must say I’m a skeptical person, but the lights would turn on and off on their own and even the TV turned on by itself.” Employees told West that they believe one of the ghosts in residence at the hotel, called “The Yankee Pedlar Inn,” is a woman who committed suicide there after being stood up at her wedding. West, who penned “The Innkeepers” following “Devil,” began production this week with Dark Sky Films. The film stars Sara Paxton (“Last House on the Left”) as the lead, and the cast includes Pat Healy, Kelly McGillis, and George Riddle, among others. “The Innkeepers” follows the story of two employees working in a haunted hotel before it goes out of business after a century-plus in existence. According to Dark Sky Films, the plot centers on “the last remaining clerks, Claire (Paxton), a twenty-something that has come to terms with her lot in life, and Luke (Healy), a computer-smart loner, are convinced that the hotel is haunted and are determined to prove it. As time ticks down to the final days of operation, mysterious guests check in including Leanne Rease-Jones (McGillis), a former TV actress turned psychic, and an old man insistent on staying in room 353. As several strange occurrences begin to add up, both Claire and Luke must make the crucial decision on what to believe and what not to believe…” West will work with much of the same crew who worked on “Devil.” He said that after they saw the script, they were eager to work with him again on “The Innkeepers.” “They were all on board to do it,” said West. “They saw the script and said [to me], ‘We know this film, we can do this…’” Continuing, West added, “I’m still skeptical about all this stuff and I’m still not sure if I believe it, but there was a lot that happened when we stayed here and if it continues, I might have to be a convert.”
“Oil in the Family” Logline: “Oil in the Family” follows filmmaker Jon Goldman in his attempt to understand his family’s connection to the oil industry and the classic 1948 documentary film “Louisiana Story.” Using Robert J Flaherty’s final masterpiece as a touchstone, Goldman returns to his bayou roots sixty years later and discovers the price of progress on the land and its people. The team: Jon Goldman, Director/Producer; Ed Slattery, Cinematographer; Bill Lattanzi, Writer; Daniel Neiden, Co-Producer; Roger Day, Co-Producer; Kevin McCaffrey, Producer; Jean Dunoyer, Editor; Nicole Guillemet, Advisor; Jay Spain, Producer
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Brooklyn filmmaker Dana Bartle is working on a documentary about J Dilla's mother Maureen Yancey (AKA Ma Dukes) entitled Raise It Up For Ma Dukes.
As our readers know, in 2006 celebrated hip-hop producer J DIlla died from Lupus. Without health insurance, his mother Maureen "Ma Dukes" Yancey mortgaged her home and life savings to help save her beloved son. In 2008 she lost her home, and learned that her son's estate would be turned over to the government due to the overwhelming debt brought on by his disease. Today Ma Dukes is not only fighting for her son's estate, she is also fighting the same disease that took her son. Raise it up for Ma Dukes will explore this fight, and serve to inform the world of Ma Dukes' cause. Unfortunately, Raise It Up For Ma Dukes is not yet complete. The film is in need of funds to assure completion.
A couple of weeks back, Frank's New York Kings were a part of the annual Donuts Are Forever event in Brooklyn. The crew Raise It Up For Ma Dukes was there to shoot, and build a chapter in their quest to get their film made. Check out the website Raiseitupformadukes.com to learn how you can contribute to the completion of this film. See pictures taken at their shoot/Donuts Are Forever after the jump.


As many know, Ma Dukes has withstood a long, frustrating legal battle with the Dilla Estate, administrated by a Los Angeles law firm, fighting since the Fall of 2006 for rights to her own son’s name and likeness, even for non-profit projects (the original incarnation of the J Dilla Foundation was forced into hiatus just months after its inception in 2006, the same year as his death). Finally, more than 3 years later, the Yancey family is pleased to report the re-structuring of the Dilla Estate with a new legal consult head in Los Angeles, and full cooperation of the Estate with the Foundation. In addition to suffering the stresses of the Estate and Foundation battles, Ma Dukes herself has been struggling physically with the same disease, Lupus, from which her son fell to, so this victory for her and the entire family is twice a relief.
The J Dilla Foundation will be comprised of a qualified and diverse team executing a range of both community and youth music programs, mentorships, partnerships with accredited music curricula with focus on Hip Hop, as well as a scholarship program. Parker states that there will be an annual university music scholarship awarded to one or more students attending schools with progressive music programs such as Berklee College of Music, Columbia University and the University of Michigan, among others.
The J Dilla Foundation also has an amazing Sound Board consisting of the cadre of musicians, producers, MCs and DJs that worked closely with Jay Dee over the course of his shortened, yet prolific, career. Not only will this crew provide insightful and inspiring sound bites about the music of J Dilla, but they will also serve as the other half of the committee that will judge J Dilla Foundation music scholarship submissions from applicants. This aspect of the Foundation indeed makes for a truly interactive operation, bridging the gap between the “real” or “street” sector and academia in music development. Notable members of the J Dilla Foundation Sound Board include acclaimed artists such as ?uestlove of The Roots, Erykah Badu, Q-Tip & Phifedawg of A Tribe Called Quest, Busta Rhymes, Pete Rock, Dwele, T3 of Slum Village, Big Tone, Madlib, DJ HouseShoes, J Rocc & Rhettmatic of The Beat Junkies, Peanutbutter Wolf of Stones Throw Records, the Mochilla crew, and more.


February 22, 2008 10:22 AM, by Simon
After the hectic pace and hype of Sundance, it was a treat to go for the first time to the Big Sky Film Festival in Missoula. In fact, it was my first time in Montana — and I'll be back. I was a juror in the documentary feature category along with the delightful Skylar Browing (Arts Editor of The Missoula Independent) and Deborah Barkow (filmmaker and editor). The winner of the feature competition was Jimmy Rosenberg: The Father, The Son, The Talent by Jeroen Berkvens — an elegant and richly layered film about a guitarist who should be known better in the U.S. A special jury award for artistic vision was given to When Clouds Clear by Anne Slick and Danielle Bernstein (lovely cinematography!). For full festival results, see the festival's website.
The festival's artistic director is Doug Hawes-Davis (Libby Montana, P.O.V. 2007), and in just five years the team there has built Big Sky into a festival with a deservedly good reputation. The home is the wonderful historic Wilma Theatre — a lovely specimen in downtown Missoula with a main house that holds an audience of 1100 and a smaller second theatre for special programming — this year, they'll feature a retrospective of the great work by Hart and Dana Perry.
Read more after the jump....
The program (over 160 films) had a nice mix of premieres, highlights from the festival circuit, shorts and films of particular appeal to local audiences. The opening film was the lovely (if perhaps a teeny bit long) The Gates by Antonio Ferrara and Albert Maysles — a fascinating and beautiful portrait of Jeanne-Claude and Christo's struggle and triumph to produce their exquisite installation in Central Park. Audiences lined up to see recent festival favorites from Up the Yangtze to Kurt Cobain: About a Son, a great set of shorts sponsored by the International Documentary Challenge, and premieres including La Americana by Nicholas Bruckman and Conviction by Mike West and Bill Ward. The audiences were particularly enthusiastic for some of the local programs with lines down the block for Montana films The Little Red Truck by Rob Whitehair and Class C by Justin Lake and Shasta Grenier.
It was a great, easygoing festival experience and Missoula's a lovely town — a wonderful mix of rural America and college town. So mark your calendar for February 2009, and treat yourself to a few days of taking in some excellent films in a great place. And when you go, be sure to take a hike in the Rattlesnake — you'll be awed by the wilderness!

